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In the 1980s, the Reverand Paul Risley of Cornerstone Church in Wisconsin claimed that 'Hotel California' referred to a San Francisco hotel bought by Anton LaVey and converted into his Church of Satan. The character of the story in the lyrics has inspired several other conjectural interpretations by listeners. In the Encyclopedia of Great Popular Song Recordings, Volume 1, Steve Sullivan theorized that the "spirit" that the Hotel California hasn't had since 1969, refers to the spirit of social activism of the 1960s. It has been interpreted as a metaphor for hedonism, self-destruction, and greed in the music industry in the late 1970s. The song has alsp been described as being "all about American decadence and burnout, too much money, corruption, drugs and arrogance too little humility and heart." What other interpretations of the song are there?.Theuse of the word "steely" in the lyric, 'They stab it with their steely knives, but they just can't kill the beast', was a playful dig at the band Steely Dan, who had previously included the lyric 'Turn up the Eagles, the neighbours are listening' in their song 'Everything You Did'. Meanwhile, some of the lyrics, such as 'Her mind is Tiffany-twisted, she got the Mercedes-Benz / She got a lot of pretty pretty boys she calls friends', were based on Henley's break-up with girlfriend Loree Rodkin. Read more: Watch the most incredible vocal harmonies by The Eagles
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Henley wrote most of the lyrics based on Frey's ideas, and also looked for inspiration by driving out into the desert, as well as from films and theatre. a picture of a guy on the highway, a picture of the hotel, the guy walks in, the door opens, strange people." We wanted to write a song just like it was a movie."įrey described the song as a cinematic montage, "just one shot to the next. Speaking to Cameron Crowe, Frey said he and Henley wanted the song "to open like an episode of the Twilight Zone", saying: "We take this guy and make him like a character in The Magus, where every time he walks through a door there’s a new version of reality. However, he entered "a weird world peopled by freaky characters", and became "quickly spooked by the claustrophobic feeling of being caught in a disturbing web from which he may never escape." In a sentence, I'd sum it up as the end of the innocence, round one."įrey also came up with a story of a person who, fed up of driving a long distance in a desert, saw a place to rest and pulled in for the night. In that sense it became something of a symbol, and the 'Hotel' the locus of all that LA had come to mean for us. Beverly Hills was still a mythical place to us.
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He said of their personal and professional experience in LA: "We were getting an extensive education, in life, in love, in business. Henley chose the theme of the song, pointing out how The Beverly Hills Hotel had become a literal and symbolic focus of their lives at the time. In 2013, he added: "It's a song about a journey from innocence to experience."ĭon Henley and Glenn Frey wrote the lyrics. It's a song about the dark underbelly of the American Dream, and about excess in America which was something we knew about." In 2007, Don Henley said: "I know, it's so boring. California is used as the song's setting, but it could relate to anywhere in America and beyond.
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In general, the song is about materialism and excess. The song was written for the band's 1976 album of the same name. Writing credits for the song are shared by Don Felder (music), Don Henley, and Glenn Frey (lyrics). (Missing In Action) which stands out on the case chosen as the artwork and in number 86 - best visible on the back of the album - which in American slang means roughly getting rid of something as if that were not enough in the credits appeared a laconic "Thank you and goodnight" that left little doubt about the future of our.Don Felder came up with the instrumental demo. The group was experiencing a period of strong friction and friction that will soon decree its dissolution until the 1994 reunion and therefore also the genesis of Live will be rather troubled: actually some subliminal messages on the cover anticipated the split, precisely in the MIA writing. The record doesn't actually photograph a single performance by the group, as five songs date back to October 1976 when Randy Meisner was still in the lineup, while the other songs were recorded in July 1980 in Santa Monica and Long Beach. The result of eight months of work, marked by the maniacal perfectionism of the Frey-Henley couple and the crystalline production of Bill Szymczyk, the album explores the theme of the decadence of America, increasingly corrupted by its growing materialism, through a subtle vein of melancholy and disenchantment. On Decemthe Eagles publish what is probably their masterpiece and spiritual testament: "Hotel California".